This fall, HBO is taking another crack at Martin’s masterpiece with House of the Dragon, a new series based on Martin’s prequel book, Fire & Blood, which narrates the history of House Targaryen-the royal, dragon-riding, sometimes incestuous, often insane ancestors of Daenerys Targaryen, played by Emilia Clarke in Game of Thrones.

And after publishing the first five books in the span of 15 years, Martin has spent the last decade-and-some-change suffering from “ the most public case of writer’s block in human history” while trying to finish the sixth book, The Winds of Winter, leaving some fans wondering if we’ll ever get a chance to read the seventh and final book, A Dream of Spring. After seven highly acclaimed seasons, the TV series ended with the most disappointing final stretch since ABC’s Lost (unless you ask Esquire's Justin Kirkland). And with good reason-the Seven Kingdoms of Westeros might be the most fully realized and compelling fictional world since Tolkien’s Middle-earth.īut today, three years since the final episode of Game of Thrones and a whopping 11 years since the most recent book in the main series, the franchise’s cultural legacy is in an awkward place. Martin’s A Song of Ice and Fire owned the 2010s? While HBO's Game of Thrones racked up more Emmy awards than any drama series in history, Martin’s five-volume (so far) book series earned a massive display table at nearly every bookstore in America, spawning an Iron Fleet of podcasts and websites dedicated to unpacking Martin’s narrative labyrinth.

Has anything ever dominated pop culture the way George R.

Fire and blood book series